Production Sound Mixer in Nashville
Clean dialogue. Reliable wireless. Calm on-set workflow.
Hammond Sound provides location sound for documentary, branded, television and narrative productions in Nashville and beyond—built around intelligibility, consistency and a clean handoff to post.
Based in Nashville. Available for productions in Chattanooga, Knoxville, Memphis, Atlanta, and elsewhere by arrangement. Travel and lodging are quoted with the production.
What you get
Clean dialogue capture (boom + lavs), consistent levels and tone
Wireless workflow built for real-world locations (RF-aware, coordinated)
Timecode sync workflows when needed
Organized deliverables: poly WAVs, sound reports, labels, notes for post
Efficient setups for interviews, small crews, and fast-moving days
Built for the shoot
Every production is different. Hammond Sound scales the workflow around the crew, location and deliverables—from a lightweight documentary setup to multi-camera interviews and larger production days.
Production-ready sound packages
Every job is configured around the production. Standard packages can include:
Multi-channel recorder + professional wireless
Broadcast-quality boom/lav options
Timecode + camera hops/IFB options as needed
FCC Licensed wireless operator (WRNM812)
Additional wireless, timecode, IFB and specialty equipment available as production needs require.
Typical Productions
Branded & Agency · Documentary · Narrative · Multi-Camera Interviews
Have dates? Let’s talk.
Send over a quick brief and we’ll confirm availability and recommend the right sound package for your production.
Selected production sound work
The Connoisseur — short narrative film
Role: Sound Mixer. Production sound for a scripted short. Watch the film.
The Legend of Lake Hollow — narrative feature
Role: Sound Mixer. Production sound for a feature-length narrative project. Watch the official trailer.
Planning your shoot
What should I send for a quote?
Send shoot dates, locations, expected day length, project type and a brief or schedule. Include the number of people speaking at once, camera count, and any timecode, camera feed or producer monitoring needs. These details help Hammond Sound confirm availability and recommend a package suited to the shoot.
How does the sound package scale?
A seated interview, a moving documentary crew and a multi-camera production need different setups. Wireless channels, timecode units, IFB monitoring and additional crew or specialty equipment are considered around the schedule, locations and coverage. Travel and lodging are quoted with the production.
How is audio handed off to post?
Organized poly WAV files, sound reports, labels and notes help editorial identify takes and understand recording conditions. Share your editor’s file, naming and sync requirements before the shoot so the recording workflow supports the handoff.